Advisor
Andrew Renton is a Professor of Curating at Goldsmiths University of London.
He took over running the Curating programme in 2003, and redesigned the programme into its current MFA format, as well as establishing a practice-based PhD in the field.
Prior to Goldsmiths he was Slade Curator at Slade School of Art, and has lectured widely internationally.
Andrew Renton works as a writer and curator. He is interested in the different languages and registers that might be possible in response to the work of art. As a curator his recent concern has been with the ethical encounter with the object, its physicality and context. He has extensive experience and research in contemporary collecting practices.
He has curated many shows internationally, including the first Manifesta in Rotterdam1996, Walter Benjamin's Briefcase, Porto 1994, Browser in Vancouver 1997 and London 1998, Total Object Complete with Missing Parts, Glasgow 2001, Stay Forever and Ever and Ever at South London Gallery, 2007, Come, Come, Come into my World at the Ellipse Foundation, Lisbon, 2007, Front of House at Parasol Unit, London 2008, and the first ArtTLV biennial in Tel Aviv, 2008. He co-curated Koen van den Broek's retropective at SMAK, Ghent in 2010.
Until ecently he was the founding Director of Marlborough Contemporary Gallery in London where he curated some 30 exhibitions. He wrote a weekly column for the Evening Standard on art matters, and is the author and editor of numerous articles, books and monographs on art. He was a member of the jury for the 2006 Turner Prize, and is a board member and trustee of several arts organisations such as the Showroom and the Drawing Room. He advises many collections, museums and institutions, and the British Government Art Collection.
